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This is especially true with respect to funding.
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In particular, as IMSLP grows bigger, more complex and more engrained into the fabric of the classical music community, it now seems necessary to think hard about the future and how we can sustain IMSLP for centuries to come. Librarians are growing increasingly worried about these issues, and after some consideration I agree with their concerns. I’ve had some fairly extensive discussions with music librarians and IMSLP contributors recently, and I’ve been thinking about a few of the issues raised, especially with respect to preservation and sustainability. In addition to those changes, there is one more major change that will be implemented shortly, and about which I would like to give a bit more background. Regular users are telling us they won’t visit the site again.Īs some of you may have noticed, there have been a few changes to IMSLP over the past few days, including the new logo. Fifteen seconds can seem like an eternity when all you want to do is check a bassoon part in a copyright-free Tchaikovsky symphony. Unless you a $22.80 yearly subscription you will have to wait 15 seconds before you are allowed to view a file – even if it is a file that you yourself own and uploaded. That’s some database, and until now it has been free to access.īut on December 27, in the dead holiday period, the resourceful Mr Guo introduced a subscription model that restricts access to the website. According to its Wikipedia entry, the site carries over 300,000 scores and 35,000 recordings for over 93,000 works by over 12,000 composers.
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IMSLP, founded in 2006, is a wiki-type resource for music scores and recordings. There’s a rising surge of anger among composers and musicians at the decision by Edward Guo, owner of IMSLP, to put the works they have stored in his site behind a paywall.